Language Teacher Toolkit: Steve Smith's blog

Inexperienced teachers (and sometimes experienced ones) occasionally encounter that situation where a piece of written work has been set for classwork or homework  — free writing/composition-style — and students turn in very inaccurate work, heavily influenced by the first language. Or they don't get the work done at all. Or they copy it. Or they use AI.  If the work is really inaccurate, you then have to decide how much you are going to correct. If you correct everything it takes ages and students are discouraged by the number of corrections. A sensible solution is to do selective correction of key errors which affect meaning. Or you can just hand the work back and admit that you made a mistake setting a task that was too hard. Maybe show them a model version. My approach to this sort of issue would be to ensure that the written homework was set up in order to guarantee success. Much depends on the class here. With high-achievers you could let them loose with relatively littl...

The topic of healthy living is a popular one in syllabuses, for example the GCSE and IB Diploma. And why not? It's important, we like talking about health and food, and it's a vital issue to cover wth young people's well-being in mind. It's also an easy topic to find and generate resources on, including communicative ones. On frenchteacher.net I have a wide range of materials at various levels. Here's the list. Year 9 Health - a mosaic translation Narrow listening Narrow reading Full lesson plan A text with exercises about healthy eating Y10-11 (GCSE) An easy sentence builder Texts with exercises Lucas and Clara describe their lifestyle 10 priorities for a healthy lifestyle France's 2026 policy on eating meat  Sleep   How well do you sleep? - Narrow reading Protection from UV rays The risks of vaping Tattoos Stress in teenagers Alcohol and health in France French people eating less meat Healthy eating - sugar Locavores - people who like local food  Eating meat a...

For over 25 years I have sung in choirs, mostly barbershop choruses and quartets. This has made me spend many, many hours memorising melodies and lyrics. I'm in that mode at the moment as our community choir in East Dulwich, Note-Orious, prepares for our 'disco extravaganza'. Yay!  So what does this process of song learning have to tell us about memory and, perhaps by extension, language learning? 1. Repetition +   Little and Often is best . This is in line with spacing theory from cognitive science. Hermann Ebbinghaus famously demonstrated how quickly we forget items from our short-term memory. The antidote to forgetting is to make yourself retrieve from memory, at spaced intervals, the information you first tried to remember. No one knows quite what the spacing should be, but one hypothesis is that after the first encounter with information, the intervals between retrieval should be shorter, then gradually increase over time. They call this 'expanding spacing'. I ...

I recently wrote a post with 5 suggested guidelines for teaching question forms in French. As with that post, here I'm going to suggest 10 guidelines for approaching the passé composé in French. Remember, these cannot be hard and fast rules, just suggestions based on my experience over many years and which may be justifiable with research in mind. My views on this are bound to be coloured by the fact I taught mainly higher aptitude, generally highly motivated pupils, but even in the settings I taught in there were plenty of pupils who struggled with languages.  Firstly, I've chosen the perfect tense since it us undoubtedly one of the hardest areas for students to both understand (declarative knowledge) and use fluently and accurately (procedural knowledge). Remember that it's procedural knowledge we are after. Understanding the rules is one thing, using them is another. In cognitive load theory terms the perfect tense is hard to grasp since it has many of what are called in...

Questions in French are a tricky area to teach for several reasons and it's tempting to just let students pick them up over time through input and repeated use. Some students will be able to do this, though few will figure out how to use the subject/verb inverted forms. They are formal and hard to learn..Most students will be able to use a limited range of high frequency questions hey have heard and used many times over ( Qu'est-ce que tu fais? Comment t'appelles-tu? Quel âge as-tu? Qu'est-ce que tu as visité? — that sort of thing.  In this post I'm going to share my tips for teaching questions to students of varying aptitude First, a quick reminder why questions are are a challenge. I think first of two types of questions: yes/no ( elle est grande? est-ce que'elle est grande? est elle grande? )  and open-ended question word questions ( qu'est-ce qu'elle fait. elle fait quoi, que fait-elle ). I then think of the structure of questions taking four form...

Multi-choice questions (MCQs) have long been a staple in language resources and exams, and with AI making them easier to produce than ever, I've been making growing use of them in my frenchteacher resources. In the past, I avoided them since they took so long to write. But while technology has simplified their creation, the art of designing  effective MCQs — whether for assessment or practice —still requires thought and precision. Here are some issues to consider when writing and using MCQs. Assessment 1. Objectivity One of the greatest strengths of MCQs is their objectivity . Unlike level-based mark schemes (or "rubrics" in the USA), where subjectivity can creep in, MCQs provide reliable scores, an important aspect of assessment. When designed well, they should offer a reliable snapshot of student listening and reading comprehension, or sometimes lexical and grammatical knowledge. 2. The three-option rule  Research and practice show that three options are statistically ...