Each year I do a round up of the most viewed blog posts (not including older posts prior to 2024, since many of these are also looked at). I don’t blog as prolifically as I used to, but even so I generally put out roughly five posts a month. When I post, the readership I have in mind is both teachers in training and experienced teachers who may be interested in issues around research, book reviews, classroom pedagogy and classroom materials. I also use the blog as a marketing tool, notably when I post adapted extracts of published books. Incidentally, apart from blogging, I’ve been busy working on three publications this year: the two GCSE workbooks with Gianfranco Conti and the A-level handbook with Steve Glover. I addition I wrote a chapter for the latest edition of the Pachler and Redondo (eds) book for trainees, and did some work reviewing NCLE hub training materials. Needless to say, I’ve spent a good deal of time writing resources for frenchteacher.net. Chat GPT has enabled me to...
Chapter 7 of our book Teaching A-Level Modern Languages is about how to help students become effective essay writers on a film they have studied. One of the aspects we emphasise is the need to carefully scaffold the process of essay writing, turning knowledge of themes, character and film techniques into appropriately formed sentences, paragraphs and full essays. To satisfy the grading criteria (AO3 and AO4) essays need to be written in complex, accurate language, and to demonstrate close knowledge and critical analysis of the film. Few students can do this without close guidance and feedback. In the following section of the book we show, for three popular films, how this process can be modelled and practised. Analytical/Complex sentences As students work through the film, they are introduced to lexical and grammatical constructions, creating complex sentences which demonstrate critical analysis. If a colleague is teaching other parts of the course at the same time, it is possibl...