Skip to main content

A Portrait d’enfant video listening worksheet

You may know already that I’m a fan of the ‘Portrait d’enfant’ short videos made by Arte. Below is an example of a worksheet I made last year. The activity promotes careful listening and is an eye-opener for students, showing as it does the life of a child in a context quite different to their own. This resource would suit Higher GCSE pupils (roughly CEFR A2). A high-achieving Y9 class would also get a lot from this.

So, in sum, lots of interesting comprehensible input, careful language processing and intercultural understanding. This ticks some good boxes.

You could play this video from the front, with lots of pauses and repetitions, or students could do it on their own if they have the resources at home. I would have done this in class, since this enables you to deal with questions, add detail or provide extra commentary or repetition.

Portrait d’enfant : Mohammed, Bédoin de Pétra  2m 53


https://www.youtube.com/watch?v=Tqk-6h_RBOo (recommend playing at 0.75 speed)


Écoutez et complétez les phrases en utilisant des mots dans la case. 


 ____________________________________________________________________

animaux       temps        depuis         apprend           touristes         monde         vend       normal         aider        viennent               calme         sacrifices            montagnes        prépare      famille         tous            montre          mangent             mains          gens

 

1. Mohammed habite un village à Pétra ________1984.
2. Presque ________ les Bédoins habitent ici.
3. Il y a des ________ partout (everywhere) dans son village.
4. Chez lui, ça c’est ________.
5. Il a une grande ________ : sept frères et deux sœurs.
6. Sa mère ________ un plat typiquement bédoin.
7. Le ________ de préparation est une heure trente.
8. On mange le riz avec les ________.
9. Mohammed nous ________ des dromadaires rouges.
10. Les dromadaires font des courses (races) et des balades pour les ________.
11. Il a 31 chèvres qui ________ de l’herbe (grass).
12. Les chèvres pâturent (graze) dans les ________.
13. Pétra est une des Sept Merveilles (wondersdu ________.
14. Les visiteurs ________ du monde entier.
15. Sa mère a un magasin qui ________ des bijoux (jewelry), par exemple.
16. Mohammed va au magasin deux fois par semaine pour ________ sa mère.
17. Il ________ l’anglais avec les touristes.
18. Ils sont sur la montagne des ________.
19. Les ________ y sacrifiaient (used to sacrificedes moutons.
20. C’est son endroit (placefavori, parce que c’est ________.

 

Vous pouvez regarder la vidéo une autre fois avec les sous-titres.

 

 


Réponses


1.Mohammed habite un village à Pétra depuis1984.

2.Presque tous les Bédoins habitent ici.

3.Il y a des animaux partout (everywhere) dans son village.

4.Chez lui, ça c’est normal.

5.Il a une grande famille : sept frères et deux sœurs.

6.Sa mère prépare un plat typiquement bédoin.

7.Le temps de préparation est une heure trente.

8.On mange le riz avec les mains.

9.Mohammed nous montre des dromadaires rouges.

10.Les dromadaires font des courses (races) et des balades pour les touristes.

11.Il a 31 chèvres qui mangent de l’herbe (grass).

12.Les chèvres pâturent (graze) dans les montagnes.

13.Pétra est une des Sept Merveilles du Monde.

14.Les visiteurs viennent du monde entier.

15.Sa mère a un magasin qui vend des bijoux (jewelry) , par exemple.

16.Mohammed va au magasin deux fois par semaine pour aider sa mère.

17.Il apprend l’anglais avec les touristes.

18.Ils sont sur la montagne des sacrifices.

19.Les gens y sacrifiaient des moutons.

20.C’est son endroit (place) favori, parce que c’est calme.

Comments

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...