Skip to main content

Exploiting Tarsia puzzles


Image: Pinterest

Tarsia puzzles come in various shapes and sizes, but the basic idea is that students have to complete the overall shape by matching items, e.g. vocabulary, translations or questions and answers. As with dominoes, one edge has to be matched with another. Tarsia puzzle can be done individually in silence or in pairs or even groups, I suppose, but I'd avoid the latter. Judging by a Google image search, they seem to be used most commonly in maths classes.

I must admit that when I first came across Tarsia puzzles I was a little sceptical, as I tend to be with other cut-out jigsaw activities. Although they are quick to make, the cutting out bit takes time, so you might want to get a helper for that. You also need a good storage system for re-use.

Clare Seccombe has examples on her Lightbulb Languages site. This year I decided to add some to the Y7 page of my own site. I do think that they are generally more suited to beginners at primary level or Y7 of secondary school, but you could design them for older users as part of a teaching sequence.

So I have built up a nice little collection on the site, using maths teacher Mr Barton's free to use tarsiamaker.co.uk. Thank you!

To help me get my head around how the puzzles might be used, and the give some ideas to teachers out there, I put together a separate sheet, which I am copying in below.

Maybe you have used or could come up with other ideas. Do leave a comment!

(Clare left a link in the comments. See http://www.ideaseducation.co.uk/resources/Tarsia-ideas.pdf.)


Exploiting Tarsia puzzles

 

Practicalities

Cutting out the shapes takes time. Some teachers do them on card, laminate them for later use. Others get someone else to cut them out, or colour-code different sets so that don’t get mixed up. Keep them in envelopes for more than one use.

 

How to use them

You could use them at various points in a teaching sequence.

Pupils have to put the shapes together correctly to form the final shape. They work a bit like dominoes therefore. Pupils could do this individually or in pairs. If they do it in pairs there is less cutting up to do!

Once the puzzles are completed, you could display the solution, then use the sentences as the basis for further activities, for example:

 

·         Choral repetition (e.g. with back-chaining, whispering).

·         Dictation.

·         Delayed dictation (say a sentence, leave several seconds, then pupils write it down).

·         Gapped dictation.

·         Delayed copying (same principle as delayed dictation).

·         Oral or written translation from memory.

·         A ‘sentence chaos’ game.

·         ‘Spot the error’ – read sentences with a deliberate error. Pupils must identify it.

·         ‘Complete my sentence’ – start a sentence which pupils must complete orally or in writing.

·         ‘Translate-transcribe’ – give a sentence in English which pupils write down in French.

·         ‘Last one to speak loses’. In pairs pupils must recall French sentences in turn. The first one who cannot recall a sentence is the loser.

·         ‘Running dictation’. Display some sentences from the puzzle around the room. In pairs, one pupil has to ‘fetch’ a sentence, return to their partner and dictate it, as the other partner writes it down.

·         ‘Mind reader’. Think of a sentence which the class must guess. You could make this a team game.


Comments

  1. I have a document with some ideas for using Tarsia here http://www.ideaseducation.co.uk/resources/Tarsia-ideas.pdf

    ReplyDelete

Post a Comment

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...