Skip to main content

Reciting letters and numbers

I don't recall learning to say the alphabet in French at school. When I began teaching French in 1980 I didn't teach the alphabet either. By the time I finished teaching in 2012 I had come round to regularly teaching the alphabet to Y7s. But was it a good idea?

My approach eventually became to teach A-Z using an American marching song melody. It was a fun thing to do at the start of lessons, brought the class together, helped developed pronunciation and encouraged a focused, disciplined start. Classes liked it and it no doubt helped somewhat at later stages when pupils had to spell out words.

Saying the alphabet out loud, just like reciting numbers in order, seems like an obvious thing to do.

And yet... the reasons we didn't do it at school and I balked at doing it in my early career, were as follows:

1. Spelling out letters in alphabetical order is not a typical communicative task. How often do we do it in life apart from when teaching the alphabet to children?

2. If you teach letters and numbers in order it may slow down a child's ability to instantly recall them when this is required for a real-life tasks such as spelling a name out, saying a year or giving a phone number. We have all seen children having to go through the alphabet or numbers in order before finding the one they need. If we did not teach the alphabet in order would they identify letters more quickly?

I have mixed feelings about this. If you want learners to get good at using individual letters and numbers quickly (in other words, if you want real internalised competence with letter and number production) then the best practice is not to recite them in alphabetical or numerical order, but to play letter and number games which get pupils used to using them more randomly.

There are plenty of ways of doing this which I have blogged about before: aural anagrams, transcribing words, playing hangman, doing mental maths problems, playing "Countdown" and so on. "Fizz-buzz" is an interesting case for number play; although it takes numbers in order it does help develop mental arithmetic through the target language so is more useful than simple counting out.

Does all this mean reciting the alphabet and saying 1-20 has no value? I would say that these tasks still have a use in the early stages for the reasons I mentioned above. The main thing, though, is to move beyond them as soon as possible and to build in regular, spaced practice of randomised letter and number.



- Posted using BlogPress from my iPad

Comments

  1. I agree that learning the alphabet in order can slow down recall. I find students pick it up faster if done through just spelling stuff. They notice the similarities and differences quicker. I always teach the alphabet at the beginning of Year 7. I also teach the names of accents and punctuation marks, and we can quickly have conversations in French about spellings, helping to build sentence structure, and focus on attention to detail. I find that our learners come with a very slack or unconfident attitude to spelling in English, and it is helpful to prioritise literacy from the very beginning of the course.

    ReplyDelete
  2. Thanks for commenting. It's really only the recital of the alphabet I question, and even that tentatively so!

    ReplyDelete

Post a Comment

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...