Skip to main content

Maxime Le Forestier

Au fil des ans, mes deux chanteurs préférés français, tant pour l'écoute à la maison qu'en cours, ont été Maxime Le Forestier et Francis Cabrel. J'ai découvert Maxime Le Forestier, quand j'étais assistant à Montauban en 1977-8. C'était son apogée, cette époque où la radio passait des chansons telles que San Francisco et Un arbre dans la Ville. J'aimais sa voix pure et la simplicité de ses chansons. Il a continué à faire des enregistrements au cours des années et j'ai apprécié certains albums plus récents, Passer ma route et L'Écho des Étoiles. La clarté de sa voix fait de lui un bon choix pour la classe aussi, donc j'espère que ma classe A2 a apprécié un peu de l'ancien et du plus récent, l'autre jour. Youtube rend l'utilisation du chant dans la classe plus stimulante aussi. Voici deux extraits de Le Forestier. Dans le premier il parle de ses amis de la «Maison Bleue» de San Francisco et la vie en Amérique et en France à cette époque; le second, c'est Maxime qui chante la chanson magnifique Les chevaux rebelles en 2002. Ecoutez cette voix fabuleuse!


Comments

  1. Anonymous13 January 2012 at 03:18

    Aujourd'hui, j'ai eu un calvaire. Mes eleves se comportaient mal, et j'ai gueule. Enfin, je suis rentree. Je passe par ton blog, presque par hasard. J'ecoute Maxime. Merci. Demain sera mieux, tant mieux parce que cette chanson a nourri mon ame fatigue.

    ReplyDelete
  2. Steve Smith25 April 2015 at 11:41

    Tant mieux!

    ReplyDelete

Post a Comment

Popular posts from this blog

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...
26 comments
Read more

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...
Post a Comment
Read more

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...
Post a Comment
Read more