Skip to main content

A checklist of dictation activities



This list is taken from the book Breaking the Sound Barrier (Conti and Smith, 2019). You could try some of these to vary the way you do transcription or dictation exercises. Some are suitable for near beginners (A1), others for Y9 (low intermediate) and above (A1/A2).

 

Delayed dictation

1. Say a sentence that students are familiar with, or containing at least 95% comprehensible input, and tell them to 'hold it inside their heads'.
2. As they do this, make funny noises or utter random French words to distract them for a few seconds. (Or just have silence.)
3. Finally ask them to write the sentence on their mini-whiteboards and show you their answers.

 

Mad dictation

Select a text containing familiar sentence patterns or highly comprehensible input. 

1. Tell students to listen to the text as you read it at near-natural speed and to note down key words.
2. Tell them to pair up with another student and compare the key words they noted. Tell them they are going to work with that person for the rest of the task.
3. Read the text a second time, reading some bits slowly, some fast and some at moderate pace. The purpose of these changes of speed is to deliberately get students to miss some of the words.
4. Students work again with their partner to reconstruct the text.
5. Read the text a final time, still varying the speed of delivery.
6. Give the students another chance to work with their partner.
7. They get 30 seconds to go around the tables and compare notes with other pairs.

 

Running dictation

1. Put the students in groups of four and name them 1, 2, 3 and 4.
2. Put up on the classroom walls, as far from where students are seated as possible, a sheet with the text for each group.
3. Students 1 and 2 take turns walking briskly to their designated sheet, memorising a sentence or more from the sheet, returning and repeating it to students 3 and 4 who transcribe what they hear. It is then the turn of students 3 and 4, etc. until the text has been written down.
4. Give students five minutes to proof-read the text.
5. Allow a minute to check anything they have doubts about by running to the designated sheet and relaying the information back to the rest of the group (students 1 and 2 first, then 3 and 4).

Tip: you may prefer to just play this game in pairs.

 

Scaffolded dictation

Students often find traditional teacher-led dictation difficult, but you can be scaffold the activity in various ways:

1. Supply the first letter of each word. This simple variation adds a further puzzle-solving element students may appreciate.
2. Supply all consonants, but no vowels, or vice versa. This resembles activities described above.
3. Provide a gapped version omitting chosen grammatical points such as articles, verbs or prepositions. This helps develop students’ parsing skills when listening subsequently.
4. Provide a translation; give students a translation in L1 of the text you read. This allows them to focus on form (phonics) less than meaning, lightening the load on memory.

 

Paired gapped dictation

1. Students work with a partner (possibly back to back). Student A has a complete text, student B a version with gaps.
2. Student A reads to student B, a phrase at a time. Student B can ask for repetitions.
3. After a given time stop the activity and get the pairs to correct the dictation.

 

Group dictation

1. Students work in groups of four or five. Choose a more proficient student in each group to be the reader. Give that person a copy of a short comprehensible text, possibly with plenty of particular sound-spelling correspondences you wish to practise.
2. The reader carries out the dictation as a teacher would, reading a phrase at a time twice. The other students write their transcription.
3. After a given time display the correct transcription for all students to correct. The reader in each group can support the others, then another person can become the reader. 

 

Grading dictation

1. Dictate a number of personalised sentences of the type I get up at 6 o’clock.
2. Students transcribe the sentence, adding an adverb of frequency to evaluate the statement, e.g. never, occasionally, sometimes, often and always.
3. Display the sentences and ask students how they graded the statements.

 

False facts dictation

1. Dictate some sentences, each one containing a false fact. The sentences could relate to general knowledge or something recently studied in class.
2. Students transcribe and try to underline where they think the error is.
3. Display the sentences and ask students what the factual problem was in each case.

Comments

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...