Skip to main content

Breaking the Sound Barrier

Here are the slides I used for my presentation to the ISMLA French day at Queen's College, London. ISMLA stands for Independent Schools Modern Languages Association. The general theme of the talk was how we might teach the neglected skill of listening in a structured, research-informed way and provided practical classroom examples of bottom-up skill practice (including phonics tasks) and two-way listening, including activities such as "whole body listening", question-answer and specific games where the focus is on developing listening skill.

Gianfranco Conti and I are together working on a book with the working title Breaking the Sound Barrier.



Comments

  1. Interpersonal, 2 way listening... you could add AIM here!
    When I taught grade 1 Immersion, the young students came to me with no prior French. My language block was 100 minutes per day. I divided that into 50 minutes for AIM, 50 minutes for phonics in the first term of school. In the second term, I continued with this model but because the students had by then developed better independent and group work skills, and because they were familiar with the resources, I was able to embellish the literacy block by doing centre work. Centre 1-Working with words; Centre 2 -Phonics; Centre 3 -AIM; Centre 4 -Reading a-z on computers OR Listening with ear phones to stories being read; Centre 5-small group reading with teacher. It worked well and my program touched on all 4 strands, (listening, speaking, reading and writing)

    ReplyDelete
    Replies
    1. Thanks for leaving a comment, Pauline. For those unaware AIM stands for Accelerated Integrated Methodology, an approach used in Ontarion schools and elsewhere around the world.

      Delete

Post a Comment

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...