Skip to main content

Spotify

Vous connaissez déjà Spotify? Alors, ne lisez pas ce post. Sinon, allez à www.spotify.com, en deux minutes vous aurez téléchargé un petit logiciel (2mo) et vous aurez accès à une grande variété de musique, y compris pas mal de chanteurs francophones. Une petite recherche m'a permis de trouver Cabrel, Brel, Daft Punk, Brassens et Morane, mais je n'ai eu aucun résultat pour Maxime Leforestier. J'imagine que le nombre de chanteurs va augmenter à l'avenir. On peut écouter la musique en live, mais pas télécharger sur son lecteur MP3. Seul ennui, il y a une pub toutes les 20 minutes à peu près.

Alors, je vois ça plutôt pour quelqu'un qui veut écouter pour son propre plaisir, rechercher des chanteurs nouveaux, écouter de la musique en travaillant à l'ordinateur etc. Pour la salle de classe cela aurait peu d'utilité, à moins que vos techniciens soient vraiment généreux sur la question du filtrage!

www.spotify.com

Comments

  1. Bonjour,
    J'ai créé un site pour partager ses playlists Spotify :
    http://www.spotilinks.fr
    http://www.spotilinks.co.uk

    PS : en France, une invitation est nécessaire pour télécharger le logiciel. Elle peut être by-passée ici : https://www.spotify.com/en/get-started/

    ReplyDelete
  2. as-tu essayé le site deezer? excellent pour tout écouter - et vraiment TOUT - des Wriggles à Max Boyce et de Yes à Achimède - il y a même Maxime le Forestier!

    ReplyDelete
  3. merci Mike. Et Deezer - c'est légal, Helen?

    ReplyDelete

Post a Comment

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...