This is a short extract in draft form from the forthcoming Language Teacher Handbook being co-authored with Gianfranco Conti.
One of your most important skills as a language
teacher is the ability to interact orally with your class, largely in L2. This
chapter examines the many ways you can develop a dialogue, sometimes
artificial, sometimes authentic, with your students. This skill allows you
develop multi-skill lessons where students listen, respond, then go on to read
and write.
Questioning techniques
Questioning in language lessons is not usually the
same as in other subjects. We use it mainly as a device to develop acquisition.
In the early stages of language learning especially, questioning is only
sometimes used in a genuinely communicative way. “What TV programmes do you
like?” is a genuine question which elicits an unknown response. Asking a
student “Is the book on the table or on the chair?” is silly, in a way, because
both you and the student can see very well where the book is. So the latter is
in a sense inauthentic, but is nevertheless useful in the language teaching
process since it allows students to get comprehensible input and provides them
with an opportunity to understand a message, respond easily, practise their
pronunciation and develop their control of vocabulary (book and table) and
grammar (in this case using prepositions).
As students build up their proficiency questions are
likely to become less artificial, but even at advanced level, a question on a
text may fulfil this same “artificial” role of eliciting the use of a structure
or item of vocabulary.
We believe that this form of questioning, although
somewhat artificial, is a key weapon in your armoury.
You could employ a hierarchy of questions from easiest
to hardest. This is sometimes called “circling”. More processing or production
is required of students as the questions increase in complexity.
Question
type
|
Example
|
Yes/No
|
Do
you like lions?
|
True/false
|
This
is a lion. True or false?
|
Either/or
|
Is
this a lion or a tiger?
|
Multi-choice
|
Is
this a lion, tiger or giraffe?
|
Question
word questions
|
Where
is the lion?
|
Open
ended questions
|
What
do you think of lions?
|
In the easier questions the student is provided with
the language they need to respond, so the response is to some extent
repetition. In the highest level questions the student has to decipher the
question then provide their own language in answer.
In a skilled questioning sequence with beginners you
would start with the easiest questions and work up towards the hardest. Some
call this scaffolding. When you start teaching it is wise to plan out your
question sequence in advance. With experience this becomes second nature. Note
also that being skilled with questioning technique allows to differentiate
between faster and slower students.
One useful technique is “return to student”
whereby, if a student has been unable to answer or has answered inaccurately,
you go to a number of others, then return to the first student so that he or
she can give a successful response.
So, a typical beginners’ sequence might go like this.
We have only given part of the sequence. In practice you would do more
examples.
Teacher Student
(or class rep.)
Is the pen blue?
Yes or no? Yes.
Yes, the pen is
blue. Repeat: the pen is blue. The
pen is blue.
Is the pen red? No.
Is the pencil
red? Yes.
Yes, the pencil
is red. Repeat: the pencil is red. The
pencil is red.
The ruler is
green. True or false? True.
True. It’s
green. Repeat: the ruler is green. The ruler is green.
Is the ruler
green or red? Green.
Yes, it’s green.
Repeat: the ruler is green. The
ruler is green
Is the pen
green, blue or red? (It’s)
green.
Yes, it’s blue.
Repeat: the pen is blue. The
pen is blue.
OK, is bag
black, green or red? Black.
Great! It’s
black. Repeat: the bag is black. The
bag is black.
Where is the
black bag? On the table.
Yes, the black
bag is on the table. Repeat. The black bag is on the table.
What is on the
table? The
black bag.
Excellent! The
black bag is on the table. Repeat. The
black bag is on the table.
At the end of a sequence you could always check in L1
or L2 that students have understood.
Any problems
with that? Did you all follow (thumbs up)?
How did we say…?
You may want to give notes for students to copy down.
Of course, when you see this dialogue written out it
appears very artificial (some teachers would reject it for that reason) but
students are happy to play along with this game, particularly if you explain
why you are doing it. In the process of a 10 minute exchange of this sort,
students are getting lots of easy, repeated comprehensible input and a chance
to practise their pronunciation and embed vocabulary. If students hear the word
“bag” twenty times they are more likely to remember it without having to resort
to a conscious rote learning method.
Sequences like the above can go very quickly and work
best with hands up. You could always top the sequence and say you are going to
ask the next question with no hands up.
You can also bring fun and humour to such sequences by
feigning surprise or insisting that something is true when it clearly isn’t.
In addition you can turn the session into a writing
one, with students writing down answers they hear, either in a notebook, on a
tablet or a mini whiteboard. This provides more active involvement for the
whole class and creates a multi-skill task.
Teacher Student
The pen is blue. No!
Yes, the pen is
blue! No!
OK. The pen is
red. Yes!
So, the blue pen
is on the table. No!
The red pen!
With some classes you might be able to get students to
play the role of teacher. Some take to this really well once they see how it
works and their classmates respond keenly.
This general approach to structured, hierarchical
question-answer works well with realia, flashcards, PowerPoints and simple
texts.
We have gone into some detail about this because we
believe you might find it a tremendously useful skill if one of your aims are
to maintain L2 use during lessons whilst building up lexical and grammatical
knowledge. It is one way, indeed, of “teaching grammar”.
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