Skip to main content

Book review: Learning to Plan Modern Languages Lessons



Learning to Plan Modern Languages Lessons: Understanding the Basic Ingredients is written by Cheryl Mackay, a freelance educational consultant who is a former MFL teacher, Head of Department and tutor at St Martin's College in Lancaster (now the University of Cumbria) and Newcastle University. The book is published by Routledge and runs to just over 200 pages of A4.

The stated aims of the book are to provide structured, practical starting points for beginning teachers, deepen understanding about the subject and how it is learned, develop understanding of planning lessons within a cycle and, finally, to enhance understanding of strategies and professional development opportunities to improve further planning abilities.

The book is divided into four parts;

1.  Getting started (with a focus on drilling, target language use and the PPP model).
2.  Planning whole lessons (including structure, objectives, lesson examples and the lesson planning process).
3.  Planning for a balanced language learning experience (including different sorts of lessons, the role of culture, the role of grammar, longer-term planning).
4.  Getting better at planning (including getting feedback, joint planning with a mentor, and interviews with recently qualified teachers).

The introduction makes it clear that underpinning the book is a view of language learning which is based on a communicative, target language approach. By "communicative" here, we are talking about what researchers would call "weak communicative", where communication is underpinned by a considerable focus on grammar and accuracy, possibly even within a grammatical syllabus. Cheryl reviews a number of documents and citations in support of a "no best method" view of language learning, but an approach which includes elements of behaviourism (the need to reuse unanalysed chunks, to review and practise a good deal), a cognitive approach (focus on knowing about the language and accuracy) and a more unconscious, implicit approach à la Stephen Krashen). "Principled eclecticism" springs to mind.

So beginning teachers are being presented with an eclectic view of learning which is reflected in the examples of lessons described later. Absent from the introduction, by the way, is reference to the TSC Review of 2016 and the NCELP, which all new teachers need to be familiar with.

Most teacher trainees may be most interested in the practical aspects of planning described in Part 1, for example. Detailed guidance is offered about how you might conduct whole classroom drills, how to select the language to practise, how to make input comprehensible, e.g. with picture, realia and gestures, along with modifying the language used. The examples make it clear, within this approach, that translation is to be generally avoided. In this regard, the recommendations may seem a little dated to some in a contemporary era when translation has come to the fore in the context of lexicogrammatical/sentence builder and knowledge organiser methods. This is, in my view, a gap in the book.

PPP receives particular emphasis in Chapter 2, with practical planning advice and example of useful techniques, e.g. the "Repeat if true" technique for choral repetition. Cheryl makes it clear that the progress from Presentation to Production is a gradual one.

Along the way the novice teacher will find useful planning boxes and descriptions of specific classroom activities, e.g. guessing games and exercises such as "spot the fib" and class surveys. Stress is laid on the importance of reusing and recycling familiar language. Curiously, the odd error has crept in, e.g. the spelling "guitarre" in the grid on page 48.

A considerable proportion of Part 2 is devoted to descriptions of observed lessons with commentaries and questions to consider. These should prove very useful to teachers. Example are in French, Spanish and German, by the way. A section is devoted to differentiation, which Cheryl says is one of the hardest areas to plan for for new teachers. She mentions in this regard how important it is to observe the class in other lessons. She writes: "...the biggest single thing you can do to differentiate as ML teacher is to make strategic and plentiful use of the TL.... a language acquisition environment which is rich enough to stretch everyone, yet supported enough to ensure that no one feels excluded." (p.85).

There is plenty more I could describe in the book, but let me sum up as follows. The book addresses a clear gap in the market. It is an extremely useful resource for new language teachers who are in training or on school placement. It contains much of practical use, plenty of detailed descriptions of lesson plans,  and some theoretical underpinnings for practice, clearly expressed. It's a book I would have found very useful indeed as a trainee. Cheryl Mackay brings long experience of teaching and observing teachers to the book and an understanding of the messy complexities of language learning.  However, as I mentioned above, there are gaps in the lesson types presented, the book not having taken on board less orthodox, grassroots approaches which have recently found a lot of favour among teachers in England and elsewhere. There is nothing on how to exploit bilingual substitution tables (sentence builders) or bilingual knowledge organisers. There is no great emphasis on the systematic teaching of phonics either, to which the NCELP and many teachers are paying much greater attention. In addition, the bias against translation - one I understand - seems a bit excessive. In that regard, the book feels more 2010 than 2020.


Comments

Popular posts from this blog

Delayed dictation

What is “delayed dictation”?

Instead of getting students to transcribe immediately what you say, or what a partner says, you can enforce a 10 second delay so that students have to keep running over in their heads what they have heard. Some teachers have even used the delay time to try to distract students with music.

It’s an added challenge for students but has significant value, I think. It reminds me of a phenomenon in music called audiation. I use it frequently as a singer and I bet you do too.

Audiation is thought to be the foundation of musicianship. It takes place when we hear and comprehend music for which the sound is no longer or may never have been present. You can audiate when listening to music, performing from notation, playing “by ear,” improvising, composing, or notating music. When we have a song going round in our mind we are audiating. When we are deliberately learning a song we are audiating.

In our language teaching case, though, the earworm is a word, chunk of l…

Sentence Stealers with a twist

Sentence Stealers is a reading aloud game invented by Gianfranco Conti. I'll describe the game to you, then suggest an extension of it which goes a bit further than reading aloud. By the way, I shouldn't need to justify the usefulness of reading aloud, but just in case, we are talking here about matching sounds to spellings, practising listening, pronunciation and intonation and repeating/recycling high frequency language patterns.

This is how it works:

Display around 15 sentences on the board, preferably ones which show language patterns you have been working on recently or some time ago.Hand out four cards or slips of paper to each student.On each card students must secretly write a sentence from the displayed list.Students then circulate around the class, approaching their classmates and reading a sentence from the displayed list. If the other person has that sentence on one of their cards, they must hand over the card. The other person then does the same, choosing a sentenc…

Using sentence builder frames for GCSE speaking and writing preparation

Some teachers have cottoned on to the fact that sentence builders (aka substitution tables) are a very useful tool for helping students prepare for their GCSE speaking and writing tests. My own hunch is that would help for students of all levels of proficiency, but may be particularly helpful for those likely to get lower grades, say between 3-6. Much depends, of course, on how complex you make the table.

To remind you, here is a typical sentence builder, as found on the frenchteacher site. The topic is talking about where you live. A word of warning - formatting blogs in Blogger is a nightmare when you start with Word documents, so apologies for any issues. It might have taken me another 30 minutes just to sort out the html code underlying the original document.


Setting work for home study

A major challenge for language teachers just now is selecting and sharing work with students to do at home. Here a few suggestions on the issue to add to your own. The sites I mention are the tip of the iceberg and focus mainly on French. I have stuck to free resources, not subscription sites.

By the way, I'm not getting into the use of tech here, as I have no great expertise on that. In any case, I imagine for younger learners especially it may be a question of setting other types of work.

ADVANCED

For advanced learners the job is not so tough. There is a plethora of listening, reading and grammar material they can use, whether it be from their textbooks, other resources shared electronically or online resources. You may have your favourites, but for a selection for French you can check out my links here and here. You may want to stick with topics on the syllabus, or free up students to read and listen more generally to what interests them.

One idea I used was to ask students to c…

"Ask and move" task

This is a lesson plan using an idea from our book Breaking the Sound Barrier (Conti and Smith, 2019). It's a task-based lesson adapted from an idea from Paul Nation and Jonathan Newton. It is aimed at Y10-11 pupils aiming at Higher Tier GCSE, but is easily adaptable to other levels and languages, including A-level. This has been posted as a resource on frenchteacher.net.

This type of lesson plan excites me more than many, because if it runs well, you get a classroom of busy communication when you can step back, monitor and occasionally intervene as students get on with listening, speaking and writing.