Skip to main content

Advanced communicative tasks on frenchteacher

Task-Based Language Teaching gets a lot of support from the research field. Communicative tasks with a real purpose to fulfil, maybe a purpose related to ‘real life’, are claimed to be an efficient and enjoyable way to promote language learning.

I first discovered this type of activity back in the 1980s when they were sometimes called Task-Oriented Activities. They were common in the field of EFL/ESL, but less known in MFL classrooms. A classic book setting out their justification, with examples you could adapt for MFL, was Discussions that Work by Penny Ur, subsequently rewritten years later. It’s worth seeking out still.

My experience with communicative tasks was positive, but like some other teachers, I found them most effective with advanced students who have a much greater stock of vocabulary and grammatical skill to call upon. The biggest supporters of task-based methodology argue that they can work fine with younger learners if the emphasis of the task is on input, not output.

On the frenchteacher.net A-level page I have a good number of tasks of this type, where the emphasis is on meaning and accomplishing a goal, not so much language form. Among them is an adaptation of a Penny Ur task where a pair or small group of students has to arrange guests around a dinner table depending on a number of criteria and keeping in mind the personalities and views allocated to each guest. Another Penny Ur task involves designing the layout of a zoo based on animal characteristics. I designed a similar one about designing a school layout based on given criteria. Coming up with other ideas like this is an interesting, creative language teacher challenge.

A task I particularly like is called Ask the Experts (based on a task described by Nation and Newton called Ask and Move. This involves giving different paragraphs of written text to, say, three students. When the information in the paragraphs is combined, you get a summary of (in my examples) an A-level topic, such as family, immigration or New Wave cinema. The same format can be used with narrative texts.

The three ‘experts’ are quizzed in turn by the other students who have been given a set of questions to find answers to. 

This is a ‘milling about’ task where you need roughly at least 8 students in the class. The questioners can only complete their answers by speaking to all the experts, who find answers from their paragraphs.

Subsequently, the questioners get their notes together to summarise the information.

This task is especially useful for dealing with informational texts which might be hard to exploit in other interesting, communicative ways.

In another enjoyable task, more of a role-playing one, pairs have to resolve parent-child situations and conflicts, such as the discovery of cannabis in a bedroom or an ‘undesirable’ boyfriend.

EFL is full of inventive lessons of this type, while MFL has remained a bit stuck in the mud, in my view. No great change since the 1980s.

To sum up, if you haven’t tried tasks like these, you might find that they freshen up lessons and appeal to students. Essentially, they provide the basic foodstuff for acquisition: input and interaction. With the added motivation they offer, you have a good recipe.

Comments

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...