Skip to main content

Changing educational paradigms


This is an entertaining and thought-provoking animation based on a talk by Sir Ken Robinson. A colleague put me on to it. Not sure what you think, but a few thoughts occurred to me:
  • Some actual knowledge needs to be transmitted to children before they can think in usefully creative ways. In science you need the basics of Newtonian physics, chemical reactions and the like before you can move to higher levels.
  • Some fields of learning, such as my own (second language learning) are about acquiring skills and knowledge and the most efficient ways may not necessarily be the most creative - aspects such behaviourist repetiton can go a long way.
  • Economic necessities mean that what Sir Ken calls "batch" systems and the traditional classroom are difficult to avoid.
  • I am not sure I agree with him when he says children do not believe that getting a degree will lead them to a good job. Many children but into the system and know how to make it work for their benefit.
  • Ken makes an assumption that children find their education boring. This is not always true!
  • Grouping children by age usually makes sense, socially and educationally, doesn't it?
  • He is absolutely right that we are heavily conditioned by the division between academic and non-academic learning. Policies such as languages for all up to 16 and the Ebacc have been attempts to break down this division. All children, these initiatives assumed, can access so-called academic subjects.
  • To a large extent, new technologies notwithstanding, we are still doing what we did in the 1950s and we find it hard to escape traditional thinking in education.
  • Politicians and parents conspire in maintaining the status quo. We seem to value testing, uniforms and conformism.
  • Sir Ken, as others have done, seems to dislike the division of the curriculum into subjects. How, in practice, can this be avoided?
  • We are in the habit of bemoaning the failures of our education system. We could look down the other end of the telescope and claim that it is remarkably successful, given the challenges schools face.
  • Is it a coincidence that all developed countries have developed systems with great similarities? No, because despite their limitations, they actually work rather well.

Comments

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...