Skip to main content

Exploiting hand-held flashcards

One of the features of my new book Becoming an Outstanding Languages Teacher (published by Routledge in late August and available for pre-order from Amazon) is the focus I place on the nuts and bolts of individual lessons and lesson sequences. Several chapters include tables describing in detail how teachers and pupils can interact during oral lessons. I hope this will be of particular use to trainee teachers (as well as more experienced practitioners, of course - I have to say that!). Plug over.

I adopted a format of three columns with Teacher Cues, Student Responses and Commentary. The Commentary column has allowed me to include tips of the trade and to elaborate a little on the interactions being suggested. You might have your own which you think are better.

The tables are not meant to be prescriptive of course, but they should be useful in making clear that interactions need to be planned, thorough and smartly sequenced. One common mistake is to not do enough examples and to not exploit a resource or activity to its maximum, thus not allowing memories to become embedded. PGCE students should find this stuff very useful and instantly usable.

When training teachers I often point out that one of our skills is to provide a "twist" to a lesson by altering the activity somewhat, making the new task seem fresh, yet essentially repeating and recycling target language, and building on the previous task. This can occur within a lesson but also be carried over to the next lesson when you might do a nearly identical activity again to provide more "retrieval practice", to coin a fashionable phrase.

Some theorists are disparaging in their views about this type of "skill-building", but my view is that learning best occurs when there is both meaningful input and frequent opportunities to interact and practise in a structured way. So below is a table from the book which is the first in a series of three about exploiting the traditional hand-held flashcard. You could do essentially the same with flashcards on PowerPoint, but hand-held cards have the advantages of novelty (these days) and portability (e.g. they can be given to pupils, flipped over, pinned to a board or wall).

In my tables I often specify whether I think the activity is best done with hands up or hands down ("cold calling"). In the early stages of a teaching sequence I would tend to go with hands up to allow students to take in the new material at their own speed to some extent. Once the whole class is confident I might move to a mix of hands up and no hands up. On the whole I still favour hands up with occasional use of no hands up. (I'm not too keen on random questioning since this deprives us of the skill to match the question to the student, a vital part of differentiation.)

The topic is places around town with beginners. Comments are always welcome.

Teacher
Student(s)
Commentary
Here is the cinema.
Here is the park.
Here is the market.
 – all 12 items. (Do this all twice.)
Listening and watching.
Students just listen as you just say each word. Students need time to just hear and take in the new sounds. No need to force any repetition.
The cinema.
The park.
The market,
etc – all 12 items.
The cinema (x2).
The park (x2).
The market (x2).
Choral repetition, focusing on accurate pronunciation, exaggerating vowel and consonant sounds a little. No need to rush. You could vary the repetition style by whispering.
What’s this? It’s the cinema (x2).
Listening and watching?
Allow students to hear the question and the answer.
What’s this? (show a card) (x12).
Hands up.
 It’s the cinema, etc.

Elicit answers from volunteers with hands up. Get other individuals to repeat the correct answer. Get the whole class to repeat correct answers.
Either/or questions,
e.g. Is this the cinema or the market?
It’s the cinema.
You can create a comic effect by stressing the right answer in each pair or by refusing to accept their option, e.g. No, it’s not the cinema!
Hide all the cards. Ask in English how many the class can remember.
Hands up.
The cinema, etc
Elicit suggestions with hands up. Try to obtain all 12 items.
Ask in English who can list all 12 on their own.
Hands up.
The cinema, the park, the café, etc.
You can prompt the student by giving the first sound or syllable of a word. If a student is struggling encourage others to help out.
Play “hide the flashcard”. Tell the class they have to guess the hidden card.
Hands up. Students make guesses.
You can add comic effect by pretending with a facial expression that they’ve got the answer right, then say no!

Comments

  1. Hi Steve, I can't seem to find parts 2 and 3, do you have a link to them?

    ReplyDelete
    Replies
    1. Hi. The other two parts are in the book. Sorry if that wasn’t clear!

      Delete

Post a Comment

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

The 2026 GCSE subject content is published!

Two DfE documents were published today. The first was the response to the consultation about the proposed new GCSE (originally due in October 2021) and the second is the subject content document which, ultimately, is of most interest to MFL teachers in England. Here is the link  to the document.  We are talking about an exam to be done from 2026 (current Y7s). There is always a tendency for sceptical teachers to think that consultations are a bit of a sham and that the DfE will just go ahead and do what they want when it comes to exam reform. In this case, the responses to the original proposals were mixed, and most certainly hostile as far as exam boards and professional associations representing the MFL community, universities, head teachers and awarding bodies are concerned. What has emerged does reveal some significant changes which take account of a number of criticisms levelled at the proposals. As I read it, the most important changes relate to vocabulary and the issue ...

La retraite à 60 ans

Suite à mon post récent sur les acquis sociaux..... L'âge légal de la retraite est une chose. Je voudrais bien savoir à quel âge les gens prennent leur retraite en pratique - l'âge réel de la retraite, si vous voulez. J'ai entendu prétendre qu'il y a peu de différence à cet égard entre la France et le Royaume-Uni. Manifestation à Marseille en 2008 pour le maintien de la retraite à 60 ans © AFP/Michel Gangne Six Français sur dix sont d’accord avec le PS qui défend la retraite à 60 ans (BVA) Cécile Quéguiner Plus de la moitié des Français jugent que le gouvernement a " tort de vouloir aller vite dans la réforme " et estiment que le PS a " raison de défendre l’âge légal de départ en retraite à 60 ans ". Résultat d’un sondage BVA/Absoluce pour Les Échos et France Info , paru ce matin. Une majorité de Français (58%) estiment que la position du Parti socialiste , qui défend le maintien de l’âge légal de départ à la retraite à 60 ans, ...