Skip to main content

Grammar and communication are not mutually exclusive

I never quite understood the dichotomy of grammar and communication.

I was taught using the London University style question-answer method, a type of structured direct method, if you will, where grammar remained at the heart of everything, but was presented and practised through the target language. There was communication albeit of an artificial nature, but as a method you could say that it works pretty well, at least with above average aptitude students. It can be adapted, watered down maybe, for children of lower ability.

I was reminded of this when reading a useful article by Martine Pillette from the May 2013 edition of the ALL Francophonie journal. She takes as her theme Grammar and Communication: Friends not Foes. Her piece includes types of activity which resemble many of the activities I and my colleagues did over the years with classes (activities which, by the way, take very little preparation).

Here are some activities which combine grammatical  with communicative practice from Martine's list. I have copied and pasted them directly, then added a few of my own. I commend them strongly to you.

For mainly listening purposes:
  • Negatives – The teacher says a sentence and pupils must work out whether it is affirmative or negative;
  • Adverbs – The teacher says a sentence and pupils must identify the adverbs in it;
  • Comparatives – The teacher says a comparative sentence (e.g. ‘Lady Gaga est plus jeune que Madonna’) and pupils must decide whether it is true or not;
  • Identifying time sequences – The teacher says a sentence and pupils must decide whether it refers to the past, the present or the future;
  • Recognising conjugated verbs – The teacher says a sentence containing a conjugated verb (e.g. ‘La semaine dernière, j’ai vu mon acteur préféré dans la rue’) and pupils must show that they recognise the verb by saying: ‘J’ai vu, du verbe voir’, ‘to see’.
And now here are a few examples for speaking purposes:
  • Negatives – The teacher says an affirmative sentence and pupils must repeat it in the negative;
  • Tenses – The teacher says a sentence in the present tense and pupils must repeat it in the future tense;
  • Verb paradigms – The teacher says a sentence in the first person singular and pupils must repeat it in the first person plural;
  • Questions – The teacher makes a statement (e.g. ‘Vous allez partir en Espagne’) and points at a question word (e.g. ‘Quand’). Pupils must turn the teacher’s sentence into a question beginning with ‘Quand’ – using ‘est-ce que’ or inversion depending on which form is being practised. 
Here are a few more:
  •  The teacher gives a simple statement and asks the class to come up with as many questions as possible which would produce that answer;
  •  The teacher gives a sentence and pupils have to come back with a new sentence with just one element changed;
  • The teacher begins a sentence and the pupils have to complete it with something appropriate;
  • The teacher gives the end of a sentence and the pupils have to complete it with an appropriate start;
  • The teacher gives a sentence in the present tense, then says; "passé" or "future" and pupils have to adapt the sentence accordingly
  • The teacher utters a sentence leaving a gap where the verb should be. the pupils have to complete the sentence with an appropriate verb
By the way, some fans of "comprehensible input" approaches may object to this general approach, claiming that it is too focused on form, not enough on meaning. I would argue that this is only one part of a teacher's arsenal of techniques, but one which has been well road-tested over the years.

Happy grammatical communicating!

Comments

Popular posts from this blog

What is skill acquisition theory?

For this post, I am drawing on a section from the excellent book by Rod Ellis and Natsuko Shintani called Exploring Language Pedagogy through Second Language Acquisition Research (Routledge, 2014). Skill acquisition is one of several competing theories of how we learn new languages. It’s a theory based on the idea that skilled behaviour in any area can become routinised and even automatic under certain conditions through repeated pairing of stimuli and responses. When put like that, it looks a bit like the behaviourist view of stimulus-response learning which went out of fashion from the late 1950s. Skill acquisition draws on John Anderson’s ACT theory, which he called a cognitivist stimulus-response theory. ACT stands for Adaptive Control of Thought.  ACT theory distinguishes declarative knowledge (knowledge of facts and concepts, such as the fact that adjectives agree) from procedural knowledge (knowing how to do things in certain situations, such as understand and speak a langua...

Zaz - Si jamais j'oublie

My wife and I often listen to Radio Paradise, a listener-supported, ad-free radio station from California. They've been playing this song by Zaz recently. I like it and maybe your students would too. I shouldn't really  reproduce the lyrics here for copyright reasons, but I am going to translate them (with the help of another video). You could copy and paste this translation and set it for classwork (not homework, I suggest, since students could just go and find the lyrics online). The song was released in 2015 and gotr to number 11 in the French charts - only number 11! Here we go: Remind me of the day and the year Remind me of the weather And if I've forgotten, you can shake me And if I want to take myself away Lock me up and throw away the key With pricks of memory Tell me what my name is If I ever forget the nights I spent, the guitars, the cries Remind me who I am, why I am alive If I ever forget, if I ever take to my heels If one day I run away Remind me who I am, wha...

Longman's Audio-Visual French

I'm sitting here with my copies of Cours Illustré de Français Book 1 and Longman's Audio-Visual French Stage A1 . I have previously mentioned the former, published in 1966, with its use of pictures to exemplify grammar and vocabulary. In his preface Mark Gilbert says: "The pictures are not... a mere decoration but provide further foundation for the language work at this early stage." He talks of "fluency" and "flexibility": "In oral work it is advisable to persist with the practice of a particular pattern until the pupils can use it fluently and flexibly. Flexibility means, for example, the ability to switch from one person of the verb to another..." Ah! Now, the Longman offering, written by S. Moore and A.L. Antrobus, published in 1973, just seven years later, has a great deal in common with Gilbert's course. We now have three colours (green, black and white) rather than mere black and white. The layout is arguably more attrac...